Friday, July 31, 2009

Character Notes: Amparo Garcés de Owen

Here are the original character notes I wrote up for Amparo, James Owen's unintended bride in Ride to Raton. Some of the names and facts evolved into others as the writing of the novel progressed. Remember, I am typing exactly what I originally wrote. I've learned a lot about many things since I started this writing journey, including punctuation.

I don't have a picture on Amparo's card. On StoryCasting.com, I put Maya Zapata in the role. I don't have accents, either, so maybe I should leave them out, although it irks me to do so.

AMPARO GARCES MARTINEZ (de OWEN)
Amparo, a girl from Santa Fe, is about 17 years old. Her step-mother, Ana Maria viuda de Garces, recently lost her husband, Amparo's father, to death. In her impoverished and hopeless situation, she has arranged a marriage for Amparo with a wealthy young Mexican rancher in the Huerfano River region of Colorado Territory. Then she shipped the girl off with a family moving north and left town with a man who wanted a companion to go with him to San Francisco. Amparo is up a creek when her intended is thrown from his horse and lights on his head upon a rock in the trail to La Plaza de los Leones, where they were scheduled to meet and marry. She arives, is left off by the family that brought her, and she sits in the church, waiting for the man to show up. Then a handsome young gringo shows up instead, with a grim tale of woe: He buried the days-old body of her bridegroom and set out to find someone to tell and to give his effect to. Amparo, in a strange town without friends, and no future husband, uses her wits to find a substitute spouse. Then she binds him to her in the oldest way; with the only thing left to her: herself.


Okay, if you have questions or comments about Amparo, hit me.

Wednesday, July 29, 2009

Character Notes: James Owen

Back to Character Notes. Since I've devoted two novels to telling his story and getting him to a happy place, you might surmise that one of my favorite characters is James Owen. You would be right. There is just something about James that stirs my soul.

The photos I have on James's two, yes, two character cards, are of some unknown advertising actor from an Adidas layout in a magazine. Over on Storycasting.com, I've chosen Lucas Black to play James's role, although I don't know if his hair curls or not, since I've only seen it short.

Several years ago, I acquired a photo in a heavy frame that was on the wall of a restaurant. When I first saw it, I gasped, because it was James! Serendipitously, when the restaurant changed decor, I was able to buy the portrait. (If he really is some outlaw, or somebody's grandpa, please let me know!)



JAMES OWEN
James was a twin, the one who survived babyhood. He has curly black hair and beard (temporary), and dark brn eyes. James is tall and lanky. He was drafted in 1864 when the age dropped to 17 years, and he got a flesh wound at the battle of Five Forks, Apr 2, 1865, in the unsuccessful defense of Richmond. James sees no marriage in his future, as revealed in the story.* He picked up a habit of creative cussing during his war service. His brother, JOHN OWEN, only lived two days after birth.


*This was the original plan, but it got changed over the course of re-writing, revising, and editing The Man from Shenandoah for publication. Readers know this wasn't the case in the published version of James's life.

Saturday, July 25, 2009

A Glimpse at Elijah Marshall

Oops! I never should have brought up the subject of my character Elijah Marshall. He's demanding that I introduce him to you. Since I don't think any of The Zion Trail is on disk anywhere, I'll have to wing it from a typescript. Problem is, I have a couple of differing copies. I guess I'll try the one on top. It's probably the latest revision. Ha! From back in the late 80s! With two spaces after a period! I'll try to restrain my Inner Editor as I type. Here goes: Elijah Marshall in all his imperfect First Person glory.

THE ZION TRAIL
by Marsha Ward
Excerpt from Chapter One

As I made a half-circle at the end of the row, I pulled the horse to a halt, swept off my old hat, and wiped the trickles of sweat from my eyes with the back of my wrist. I ran my fingers through my dripping black hair to train it back from my eyes before I replaced my hat. Settling the shade once again on my head, my eyes caught a movement far up the road to my right. (Yikes! A big woopsie!)

Across the rows of fresh young corn stalks I saw the dust rising slowly into the air as two figures walked along the dry surface of the lane. I knew them for strangers by their dress, for no one in our area wore a black suit except on Sunday, and this was Tuesday.

Curiosity was part of my makeup, so I leaned on the plow a while, watching their progress and wondering about their errand. They saw me, and hopped the ditch to approach the fence as they came alongside my position.

At fifteen, I had reached nearly my full growth, and I wasn't beyond considering myself a man. I did as much as my father on the farm, except for the planning and the worrying, so I wasn't surprised when they hailed me as a man.

"Hello, Brother. Can you give us a drink?" the taller man called, indicating my water bucket under a nearby tree.

I wrapped the lines around the plow handles and strode to the fence. "Plenty, and welcome." I bent to shoo away a drinking yellowjacket, and lifted the pail to the top of the fence.

The taller man drank first, and I saw that he was older by three or four years than the shorter man. As they slaked their thirst, I wondered how long since they had tasted water, for they drank with great gusto, and an air of thankfulness.

Their suits were covered with the fine dust that abounded on our roads, but they seemed not to mind, giving all their thoughts to dipping water down their dusty throats.

While the shorter man drank, the taller one looked at me and smiled. "It's been a long, dusty walk. We're thankful for the water. I am Nathan Caldwell, and my companion is Matthew Long. We are ministers of the gospel, and would welcome the opportunity to preach in your neighborhood."

I stuck out my hand and pumped his. "My name is Elijah Marshall, and my pa will be glad to see you. He's a God-fearing man, and every man of the Lord is welcome in his house." I squinted up at the sun. "It's nearly dinner time. Come and eat with us."

Mr. Long grinned his acceptance as Mr. Caldwell nodded.

"Just follow the road to the first lane on the right," I directed them. "Tell my ma I sent you. I'll be along with the horse by and by."

They waved their thanks as I hauled the bucket off the fence and turned back to the plow. Old Tom still stood where I'd reined him in, flicking flies away with his tail and standing three-legged in the sun. His ears twitched at my approach, and I patted his flank before I unhitched him from the plow.

"Tom, boy, we've got company. Won't that make Ma's eyes dance!"

Character Notes: Julia Helm Owen

What am I doing up so early? The characters in my head wouldn't let me sleep. Since yesterday was Pioneer Day for LDS Church members in the Western United States (July 24th being the day the Latter-day Saints headed by Brigham Young entered the Great Salt Lake Valley for the first time), I figured I would feature Julia Helm Owen, because she has a cousin who joined the faith. Her son, James, has also done so, but she doesn't know that yet.

Julia's grandfather and grandmother were Elijah Scow and Louisa Phipps. They had two daughters, Phoebe and Emily Scow. Phoebe married Joseph Helm, and their children were Jonathan and Julia. Julia married Roderick Owen, and the rest is "history." Emily Scow married James Marshall. This family joined the LDS Church. Their son, Elijah, chronicles his adventures in an unpublished novel I started several years ago, The Zion Trail.

On the back of the character card, I have two photos of Elinor Donahue, whose early work included 68 episodes of "Father Knows Best" as Betty Anderson, and 12 episodes of "The Andy Griffith Show" as Ellie Walker. I think Melissa Gilbert is about old enough to play Julia now. Since Bruce Boxleitner would make a great Rod Owen, the couple is high on my wish list for the roles of the parents in a movie version of The Man from Shenandoah. Of course, there is no movie version in the works at this time. One can hope, right?

Here is the content of Julia's character card notes:

JULIA HELM OWEN
Julia is about 5' 2" tall, dark brown hair and brown eyes, she loves her husband and family, she's not an aristocrat, but a farm woman, but she is very attractive. Her hair is beginning to have a few wisps of grey, she has become quite independent because of keeping things going during the war with her man gone. Levelheaded and quick thinking, Julia taught her children to work and to amount to something thereby. She is called Ma, except by Julianna, her youngest, who calls her Mama. She is a passionate woman, who enjoys her marital relationship, and understands her husband. They usually can say a lot between them with a glance, catching the other's meaning easily. Julia is very religious, has a strict code of gallantry which she has passed to her children.

Wednesday, July 1, 2009

Character Notes: Rulon Owen

Since Rulon is the subject of my question on the just-concluded 30-day-long Summer Treasure Hunt, I thought it would be appropriate to post my character card notes on him next. BTW, congratulations to Rachel Hanchett of Arizona, who won my prize for the correct answer.

The photos I have for Rulon are actors Geoffrey Scott, who started out his career on
Dark Shadows and continued with a role in Dynasty and guest shots all over the tube in the 80s; and Nicolas Surovy, who started out in The Big Valley, and played roles on soaps and Westerns, and even Star Trek: Voyager. IMDb last shows him in Deadwood.

RULON OWEN
Rulon has dark brown hair and grey eyes. He is not tall, but he is solidly built--might have trouble keeping weight down later. Rulon had been casually courting Mary Hilbrands, but as the war broke out and he joined up, he married her. 9 months later they had a son. Mary lived with her parents until Rulon came home wounded in Oct, 1864. Fulltime wife and motherhood was a shock to her.

Rulon welcomes the change to go to the west. He has nothing to show for 4 years of marriage, and wants to start on building his life.